Violones

After Joachim Tielke, c. 1690

Modeled after the celebrated Hamburg maker, this violone offers a warm, focused bass with remarkable clarity in the lower register. Its balanced response and sustained resonance make it especially suited to continuo playing across the seventeenth and eighteenth-century repertoire.

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After Ernst Busch, c. 1640

A larger-bodied violone in the German tradition, prized for its deep, enveloping tone and generous projection. It speaks readily under the bow and provides a firm, singing bass line ideally suited to ensemble and orchestral continuo of the early baroque.